Controlled Remote Viewing: Ohio to Vietnam

This particular event centered around a Vietnamese funeral procession. My crv structure isn't perfect but the session shows good site contact. The sensory perceptions match with the feedback photo and information.

Frontloading is a time management and energy saving focus to help me, the viewer, "focus my work." This target was an event at a location. I was supposed to describe the human at the location and give physical descriptors only of the human. I scored and got a "human" gestalt with the first set of coordinates, but overlooked the frontloading of "give physical descriptors only of the human." I kept taking coordinates and you will see descriptors matching the gestalts of land, water and manmades as well. Curiosity makes for a good remote viewer.

Lyn took a look at this session and you will see some of his comments on the right side of the paper. Working in training mode, each time we work a session it isn't to learn something about the target, it is to learn something about ourselves. We touch our pen on the ideogram once to get a "feeling component," such as hard, soft, etc. I wrote that the human felt "leggy." Ding! Maybe it's because I am an Empath or a nurse, to me the human felt "leggy", which translates into "tall." That's a dimensional and technically that is also working the target and not the ideogram. Oops.

I hit the ground running, or better, viewing on this one. I had a "stray cat" of "dead person" pop into my head as soon as I finished the frontloading, before taking the coordinates, even. It was also a noun which meant it needed to be written on the right side of the paper and set aside. Just because it is declared a stray cat doesn't mean it isn't actually at the site. If it is at the site this perception will usually keep coming back during the session.

Maybe because I have been a nurse since 1975, I definitely gave descriptors of what would match with a deceased human "cold / white / wet / wrinkly / drowned-like" and included a metaphorical reference to "mackerel." The subconscious will do that. On the last page I also noted that this was "serious stuff."

I start to describe the manmade, and I have to set aside that recurring theme of "pretty sure dead" that pops into my head, and continue writing, always keeping the pen moving: "wooden / desklike / platform like / hollow under / elevated." The women are carrying a thirty foot long scroll covered with Buddhist scripture.

There are two accurate land sketches, the first is a rice paddy, and for the analyst the parts of the sketch are labeled A and B: water and weeds. I described the second as having, or being "border-like" and "rimmed." It matches the area to the left of the funeral procession: a rice paddy that appears roundish and bordered by trees. Some of the descriptors are "rushy like weeds / reed like / hard to walk / boots stuck / sucking sound / sloshy."

There are more perceptions in the session than I have listed above. It doesn't have the best structure but I'm happy with it. I had great site contact and learned a lot about both crv and myself.

My entire controlled remote viewing session, including ideograms, gestalts and perceptions can be viewed here.